The Long Paddock
a haiku series celebrating the roles of Australian working women
dedicated to Alma E. Bird
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1. 50,000 Years
2. Outback Selection
3. A Cocky's Life
4. City Visit
5. Timber Town
6. A Chat With Friends
7. Western Suburbs
1. 50,000 Years
desert rockhole –top next
they sit down to listen
to her story
bush medicine –
he shows the spear wound
to aunty
digging honey ants –
children's laughter
from the billabong
canvas on red earth,
she paints the yam dreaming –
a tea billy boils
Koori mother and son
sit with their interpreter –
breeze stirs the dust
a Murri boy
presses his face to the bars –
scent of coolibah
royal visit –
the smallest piece of damper,
no goanna
2. Outback Selection
top next
westerly –
the duststorm's shadow
reaches them
she fans herself
with a city catalogue –
beach fashions
shoulders his swag,
thanks her for the scones –
the long paddock
kitchen flyscreens –
the sheep farmer's wife
still flicks her hand
first school day –
at the train station a boy
comforts mum
cutting out the cheque –
she meets the last train
he might be on
wool slump –
she fetches the radio
and two cold beers
she straightens up
from docking lambs –
the kelpie wags his tail
the river comes down –
in bright sunshine she watches
fences go under
Christmas drought –
bird shadows criss-cross
a fallen lamb
earth trickles
through her fingers –
a far train whistle
3. A Cocky's Life
top next
morning mist –
listening for the cows
she hears the creek
spring morning –
the plop of tennis balls
on an antbed court
ladies foursome –
she kicks cow pats
off the first tee
radio music –
footprints of a fox-trot
in the dust
dandelion ball –
her daughter's breath
sows a paddock
flooded farm –
bellow of the house cow
at dusk
hailstorm –
half their tomato crop
intact
city guests gone
she lets the old dog in –
glowing embers
a shadow cast
by the boarded-up bank –
on the wallaby
4. City Visit
top next
spring morning –
unsmiling
faces on the street
autumn dusk –
terracotta rooftops
sink into smoke
breast clinic –
she parks their 4WD
between two jags
oncology –
reception room flowers
still plastic
the dress shop
stocks all shades of black –
endless smiles
blues festival –
sharing summer twilight
with new sisters
cloudbanks
on the sea horizon –
her tight bathers
city bus –
such skill in avoiding
eye contact
the subway train
surfaces in sunlight –
no one else smiles
her plane
climbs into clear skies –
that shrinking city
5. Timber Town
top next
mill whistle –
she resists the urge
to count fingers
forest blockade –
she shares her thermos
with protesters
bush track –
she overtakes
a magpie
old growth forest –
her dog
runs through the silence
woodsmoke
on the evening air –
a mother's call
crack
of a whip bird's call –
the stillness
she picks her way
though smoking tree trunks –
a chimney
husband away –
their bedroom full
of one mosquito
6. A Chat With Friends
top next
still digging, wombat?
you too
should lose weight
crossing this field,
I pause to salute you –
bravo! dung beetle
white cockatoo
I do not have the tongue
to hear your news
pheasant
why do you strut so?
ah, a new mate
a bittern's cry –
come, brave dog,
let's watch for bunyips
so, dingo,
who cast the first stone
at you?
shy, echidna –
only the ants know
your face
a bone
and winter sunshine –
you lucky dog
cane toad,
you too, are ugly –
let's jump on our reflections
7. Western Suburbs
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pre-school playground –
the sparrows listen
in many languages
shirt factory –
she explains trade unionism
to an Arab seamstress
trying to decide:
mini-skirt or business suit –
first day as CEO
paling fence –
her pumpkins flourish
on the neighbour's side
Anzac eve –
sewing up her medal bar
she pricks her finger
after their quarrel
she goes to water
her nodding violets
spring sunshine –
the boom of her crane
sweeps the skyline
sunny verandah –
grandma's wheelchair
beside baby's pram
spring races –
explaining the cup sweep
to her Greek neighbour
shoots sprouting
on the old lemon tree –
this long life
Footnote by author
The Long Paddock won the 2001 Spirit of the Outback Writing Competition, judged by Barbara Ker Wilson and run to celebrate 'Women in Australia's Working History'. It was published in Songs of the Unsung Heroes, 2002, by the Australian Workers Heritage Centre.
I chose haiku as the most suitable vehicle to address some of the vast range of womens' contribution to Australia's working life.
My forebears were pioneers on the Hunter, Manning, Tweed, Nerang and other rivers up into Far North Queensland. The "Bird women" were the glue of their families and my mother is an exemplar of the spirit of the outback.
Many of these haiku are based on close observation of Mum's life, particularly her interaction with the natural world. I hope that all women who read it will find something of themselves in The Long Paddock
john bird
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